"We Call it Techno!" is a great documentary about the history of club scenes in Germany. Produced by H. Wich and M. Sextro, it focuses on Berlin and Frankfurt scenes of 1980s and 1990s. It depicts Berlin's eclectic taste for dance/Euro pop in a post-Cold War era, whereas Frankfurt hosted wild underground parties which gradually evolved into a highly competitive and commercialized club industry.
These were not isolated sites, as the film shows a wealth of artistic exchanges across cities, as DJ traveled with their entourages in crazy bus caravans. This ritual eventually led to the rise of the Love Parade in Berlin 89 - four months before the fall of the Wall.
The film also provides a great methodology for anyone interested in documenting their own rave/club scene. It aptly carries out the pedestrian task of registering artistic genealogies (who did what and where followed by whom). Yet, it goes beyond, by investigating local scenes within wider issues of technology, lifestyle, counterculture and popularization. In particular, I was curious to see their narrative of "decline". I was gladly surprised with how smart and reflexive the scene producers were in pondering about the ironical and unintended consequences of Techno’s massification in Germany.
As a minor critique, the documentary was limited to a strong geo/urban-centric bias. It remains stuck in a few cities, and totally neglects important transnational exchanges between German Techno artists and the rest of Europe and the world. For example, it is important to note events such as, Sven Vath's winters in Goa, his Coocon/Amnesia project and beach parties in Ibiza, besides the rise of global club legend Space located in the German resorts of Ibiza.
All in all, an excellent video. Watch it below:
[UPDATE July 19: The film was removed from Google movies, but you can still watch a short trailer]:
Showing posts with label history. Show all posts
Showing posts with label history. Show all posts
17 May 2009
22 July 2008
History of Hippies in Goa (India)

I forwarded my previous post ("The First Hippie in Goa") to a listserv on Goa research. Some subscribers there asked for more details about the history of the hippie scene in Goa, and particularly Colva. This is a beach in southern Goa that no longer belongs to the techno trance scene.
Colva beach was indeed the first place chosen by a handful of hippies upon arrival in Goa by the mid-1960s. But "Eight Finger" Eddie soon moved to South Anjuna, as he heard about the beauty of that unknown place. In his mid-40s, Eddie already was a popular veteran. Consequently, many Western youngsters soon followed suit, also settling down in Anjuna beach, which is where the "Goa scene" actually started.
Local natives recall that hippies chose Anjuna because there was no police station in the area. The closest station was located miles away southwest, beyond Mapusa town. Therefore, hippies could enjoy the necessary peace to do drugs, without having to pay baksheesh (bribe) at every corner.
Moreover, one native family was pivotal in the early Anjuna scene. In a region where most of the population only spoke Konkani, Joe "Banana" Almeida spoke very good English - an important factor for global travelers. Joe and his family have just returned from Kenya. They had opened a simple restaurant which also provided a variety of ancillary services for hippie newcomers. It was logical that hippies would gather around his restaurant (currently run by his son Tony), still located in South Anjuna.
However, with the ongoing modernization of Anjuna since the 1990s, the emerging techno trance scene was gradually pushed north. It moved towards the villages of Chapora, Vagator and Arambol. Original Anjuna followed the steps of Baga-Calangute tourist strip, which caters to charter tourists from India, Russia, UK and Scandinavia. In the meantime, the Goa trance scene is still fleeing farther north and elsewhere...
In any case, it is important to ask: among various suitable places in India, why did hippies choose northern Goa? They could have well settled in Gokarna village located in the coast of Karnataka state (towards the south), or in Pondicherry, former French colony on the east coast of India. Two critical factors must be pointed out:
- Mobility: well-established transportation lines connecting Goa to Pune and Bombay were very important for hippie travelers. They could thus easily travel to the Osho-Rajneesh ashram located in Pune (a pleasant hilltop town), or take advantage of Bombay as a hub towards Rajasthan, Nepal, or back to the West.
- Portuguese-Christian legacy of Goa: in comparison with the rest of India, Goan people were more familiar with Western leisure practices (party, alcohol, smoking). They also grasped Western notions of individuality and privacy. It was thus ironical that hippies running away from Christian Europe/America would decide to settle down in the most Christian state of India!
For anyone devoted to finding causes and origins, I'd say that some of the initial decisions made by hippies and Goans back then were purely incidental, often based on individual whim and preference.
It is the ensuing snowballing effect that has an impact on the collective. The location and culture of a host society, combined with the needs of guest travelers, will define the rise of a subcultural scene at a given time. Feel free to post your comments.
It is the ensuing snowballing effect that has an impact on the collective. The location and culture of a host society, combined with the needs of guest travelers, will define the rise of a subcultural scene at a given time. Feel free to post your comments.
20 July 2008
The First Hippie in Goa (Pre-History of Trance)

Goa is a main tourist destination in India. But it also is an important global center for the counterculture, now in the digital stage of techno "trance parties". There is much to say about contemporary Goa, counterculture and globalization. But how did the Goa scene actually start?
In the late 1960s, a handful of beatniks and hippies were traveling, overland, from Western Europe toward Southern Asia. They came on bikes, beetles and "magic buses". They entered India, and almost incidentally reached Goa, a former Portuguese enclave on the west coast of India.
By the Arabian Sea, they gathered on the secluded palm-lined beaches of Anjuna and Vagator. These were modest fishermen villages with no urban infrastructure, let alone tourist facilities. Precarious roads led to the place, linking the state capital Panaji, to Mapusa town, and then to Anjuna. As more Westerners spread out across the continent, the New Year's Eve in Goa began to work as the meeting-point for the countercultural diaspora.
The "first hippie" of that movement is now 84 years old. Eight Finger Eddie, an American expat of Armenian ancestry, still lives in Goa. His friends have set up a website for him. It compiles his autobiographical memories, in text and podcast format. I find the podcast "Anjuna 26 Feb 2007" to be particularly insightful. In typical Goa freak story-telling fashion, Eddie exposes his life trajectory in detail. Recorded at his house, it lasts two hours. As he speaks, you also listen to common background noises of northern Goa...
This is the pre-history of Goa trance counterculture. Forget about big DJ and hearsay stories. Listen carefully to Eddie's firsthand account. It will take you to a fantastic world of travel and self-exploration... (podcast).
Are 1960s hippies the same as 2000s trance freaks? Leave your comment below.
17 July 2008
Famous Pac-Man Quote: Urban Legend?

"If Pac-Man affected us as kids, we'd all be running around in darkened rooms, munching magic pills and listening to repetitive electronic music."
Interesting allegorical quote. It suggests a connection between the behaviors of a cartoon and a raver. It also shows an underlying connection between subcultures of ravers and gamers. Although largely unnoticed, both subcultures share a lot, either as ravers who are also computer geeks, or as young IT professionals who are also into electronic music. (To noe: Matrix's resistance celebrated incoming fights in a nightclub!).
This quote is often seen at the Internet. Allegedly, it was said by a Nintendo Vice-President in 1989. But a British comedian later claimed that he is the author of the quote. This is yet to be confirmed. I'll post any updates...
PS Update: I contacted Nintendo HR department, who was unable to answer whether someone named Kristian Wilson (the alleged VP) has worked there. Given the absence of any other Internet records about this fellow, it can be safely presumed that this story is probably untrue, or that its authorship is yet to be verified.
If you have any lead, please feel free to post it here. Thanks.
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